Season Opener 24/25
The first Korean gold medallist of the Van Cliburn International Piano Competition, Yekwon Sunwoo has been hailed for his “unfailingly consistent excellence” (International Piano) and celebrated as “a pianist who commands a comprehensive technical arsenal that allows him to thunder without breaking a sweat” (Chicago Tribune).
Sunwoo joins Music Director Earl Lee and the A2SO to perform Rachmaninoff’s legendary Piano Concerto No. 2, a work that crowned the composer’s triumphant return to success and public acclaim after the disastrous premiere of his first symphony.
Rounding out the program is William Bolcom’s Ann Arbor Saturday, commissioned and premiered by the A2SO in 2018, as well as Camille Saint-Saëns’ Symphony No. 3, a work notable for its use of pipe organ. After its wildly successful premiere, Saint-Saëns remarked “I gave everything to it I was able to give. What I have here accomplished, I will never achieve again.”
Special feature: Read enhanced coverage of our 24-25 Opening Night concert, plus background on The Cliburn—perhaps the most famous of all piano competitions: a2so.org/opening-night-24-25-announcement
Friday, September 27, 2024 | 8 PM | Hill Auditorium (825 N. University Ave., Ann Arbor, MI 48109)
Pre-concert talk at 7 PM (sponsored by Exchange Capital Management)
Yekwon Sunwoo, piano
Nicole Keller, organ
Earl Lee, conductor
William Bolcom Ann Arbor Saturday
Sergei Rachmaninoff Piano Concerto No. 2
Camille Saint-Saëns Symphony No. 3 “Organ”
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Yekwon Sunwoo, piano
Yekwon Sunwoo has been hailed for his “unfailingly consistent excellence” (International Piano) and celebrated as “a pianist who commands a comprehensive technical arsenal that allows him to thunder without breaking a sweat” (Chicago Tribune). A powerful and virtuosic performer, he also, in his own words, “strives to reach for the truth and pure beauty in music”.
The first Korean gold medallist of the Van Cliburn International Piano Competition, Yekwon has performed as soloist with the Munich Philharmonic and Valery Gergiev, Royal Danish Orchestra with Thomas Søndergård, Fort Worth and Tucson Symphonies, Washington Chamber Orchestra, Baltimore Symphony Orchestra, Houston Symphony, National Orchestra of Belgium, Sendai Philharmonic and Royal Scottish National Orchestra amongst others. Recital appearances include Carnegie Hall, Wigmore Hall, Elbphilharmonie, Salle Cortot, Hong Kong Arts Festival and a tour of Japan.
An avid chamber musician, Yekwon’s collaborators include Benjamin Beilman, Linus Roth, Andrei Ioniță, Sebastian Bohren, Isang Enders, Tobias Feldmann, Gary Hoffman, Anne-Marie McDermott and the Jerusalem and Brentano Quartets. He has also toured Costa Rica, Guatemala and Panama with the Kumho Asiana Cultural Foundation and performed at Chamber Music of Lincoln Center’s Inside Chamber Music Lectures.
In addition to the Cliburn Gold Medal, Yekwon won first prizes at the 2015 International German Piano Award, the 2014 Vendome Prize held at the Verbier Festival, the 2013 Sendai International Music Competition and the 2012 William Kapell International Piano Competition.
Born in Anyang, South Korea, Yekwon began learning the piano at the age of 8 and made his recital and orchestral debuts in Seoul at 15. His teachers include Seymour Lipkin, Robert McDonald, Richard Goode and Bernd Goetzke.
In 2017, Decca Gold released Cliburn Gold 2017 two weeks after Yekwon was awarded the Gold Medal and includes his award-winning performances of Ravel’s La Valse and Rachmaninov’s Second Piano Sonata. In 2020 Yekwon went on to release his first studio album for Decca Universal Music Korea featuring an all-Mozart programme. His second album featuring Rachmaninov solo works will be released in September 2023.
Nicole Keller, organ
Nicole Keller is in demand as a concert artist, adjudicator, and clinician. She has concertized in the States and abroad in venues such as St. Patrick Cathedral, New York; Cathédrale Notre-Dame, Paris; Dom St. Stephan, Passau; St. Patrick Cathedral, Armagh, Northern Ireland; and The Kazakh National University for the Arts, Astana, Kazakhstan. Ms. Keller specializes in eclectic programs suited to instrument and audience with a desire to expand the listener’s horizons, pairing familiar sounds and genres with less familiar ones. Her performances with orchestras includes concertos, works for small chamber orchestra, and large works involving organ, harpsichord, and piano. She has extensive experience as a chamber musician and as a continuo player, including many performances of Bach’s St. Matthew and St. John Passions, the Christmas Oratorio, and the Mass in B minor in addition to a host of cantatas and baroque chamber music.
As a teacher, Ms. Keller strives to foster and model a commitment to excellence in performance, scholarship and self-growth as students deepen their love of music and their instrument. Her students have been accepted into and attended prestigious graduate schools throughout the country and enjoy successful musical careers in a variety of settings.
Ms. Keller’s work as a church musician includes work in with volunteer and professional choirs and instrumental ensembles devoted to the highest level of music for worship. She has created organ and choral scholar programs at small and mid-size parishes, developed successful children’s choir programs, and has led choirs on tour in the states and abroad including choral residencies at Bristol Cathedral, U.K. and St. Patrick’s Cathedral, Dublin, Ireland.
Ms. Keller received the Performer’s Certificate and the Master of Music Degree in Organ Performance and Literature at the Eastman School of Music in Rochester, New York under the tutelage of David Higgs. While at Eastman, she studied continuo with Arthur Haas and improvisation with Gerre Hancock. She received the Bachelor of Music Degree in Piano Performance from the Baldwin Wallace Conservatory of Music in Berea, Ohio, where she studied piano with George Cherry and Jean Stell and organ with Margaret Scharf.